Thursday, June 30, 2011

Project #2

Macro


http://en.wikipedia.org/wiki/Wilhelm_R%C3%B6ntgen
Wilhelm Roentgen (Germany) discovers X-rays changing how we see medicine today.

http://myidol.americanidol.com/go/thread/view/86789/18577146/***ADAMS_FARM_ANIMALS***?post_id=474479337
Frederick E. Blaisdell patents the pencil


http://charleywag.wordpress.com/
1st cartoon comic strip is printed in a newspaper


http://www.jakvydelat.com/alfred-nobel/

Alfred Nobel establishes Nobel Prize



http://inventors.about.com/library/inventors/blmotionpictures.htm
Moving picture projector finally patented in 1895




http://www.wired.com/thisdayintech/2009/11/1102benz-duryea-first-gasoline-auto-race/
The first horseless car race took place in the year 1895.






1895 was the first year that they introduced the rolling bridge.



http://www.dailymail.co.uk/news/article-1176040/Jack-Ripper-invented-win-tabloid-newspaper-war.html
During the late 1800s there was a man going around killing women making all women very cautious about the way they lived and where. This man went by the name of Jack the Ripper which was given to him by papers of the time.





An antique car from the late 1800s.

This is one of the many examples of what currency would have looked like from the year 1895.

Micro
This shows us how a room from this period and area would have looked at the time in a what we would call middle class house.

The trains was the main way of travel at the time and accidents such as this would have effected the time and frequency of going back and forth between town and the country life that Jack was so accustom to doing.


This would have been the type of journal the little Miss Cecily would have kept all of her personal thoughts in.


This was refereed to as a dog-cart at the time due to the fact it was smaller then an actual cart
.

Perambulator what would have been used to take babies out into the market or from place to place.

Period men's costumes that would have been worn by all of the men at the time with the exception of the butlers who would have been in a more strict dress code.
The dress that would have been worn by Gwendolen or her mother.


http://thevictorianist.blogspot.com/2010_11_01_archive.html

This was one of the many gas factories in London at the time that would have created the fog and haze the London is known for.



http://cgi.ebay.com/QUALITY-ANTIQUE-RUSSIAN-SILVER-CIGARETTE-CASE-c1895-/120566319443
This is the type of cigarette case that Jack would have carried with him.



http://www.davidshure.com/silverware/salvers/d8602.html
This would have been the salver from 1895 that would have been used by the butlers of the time.


The World of the Play

During the time of The Importance of being Earnest it was a completely different world then what we know today. This play takes place during the late 1800s which is just a distant memory. We have many things today that were not even thought possible back then as well as many other things that were invented and still live on in today’s life. During the time of Earnest it was a much simpler life in some ways more difficult in others.

When it came to travel during this time it was a longer process then what we go through today. Where today it may take an hour or so to get from a town out to the country it might have taken them a couple hours if not more depending on where they were traveling too at the time. Such as in this show we have two men that are traveling between town and the country side. However it must not be too far of a distance seeing as they are making the trip with in hours instead of days which would have been common during those days as well. At this point in time we are see most travel being on a train or a ship cars are just now being invented and most people do not even know what they are yet. This is why we see reference to taking the train back to town once Jack has realized that Algernon is at his country home. As for getting to the train station they use what was referred to as dog-carts. These were similar to what we many still see today in the Amish communities; it is a smaller version of the horse drawn carriage.

While everyone knows that technology we different well over 100 years ago many other things were different too. Such as the way social status was viewed within families as well as when it came to marriage and who could marry whom. During this time we see that families with young women that are ready to be married are very picky as to whom they will allow them to marry. In most cases they have to marry someone of the same class or higher. This keeps the wealth in certain families while not allowing those bellow them to marry up just for money. For this reason it is important to know where Jack stands when it comes to social class seeing as he is hoping to get married to Gwendolen who is obviously of a slightly high social status. Where today we see social status as a thing that can be earned and not necessarily what you inherit. Back in the 1800s it was decided by what family you were born into and what that family owned the more you owned as well as what it was could decide whether or not you could marry a certain person.

Another thing that makes the world we live in vs. the world of the play different is which conflicts are going on at the time and what part of the world. Such as wars, murders, or natural disasters; today we have much more of all three then they had back in the 1800s although they did have their fair share of issues. At the time in London most of the women were actually scared for their lives every time they went out and most would not go out unaccompanied due to Jack the Ripper who is now a famous serial killer. This made everyday life for many very hard not knowing where he was at the time or if he was right around the corner. Where today we can track people like that and have an idea of their whereabouts back then they really had no way of telling.

So in many ways while technology changes and people become more accepting of new and different things they had to deal with many things that are still in our society today. This makes this a great play for all time period and geographical areas. Where there are many plays that should not be moved to a different time period because they just would not make since this is not one of those. For directors that want to play with the time line of this show it is very possible to make it just as popular and successful without keeping it in the original time and place.

Friday, June 24, 2011

Project #3

Production History

The Importance of being Earnest:

Production #1

Basic Facts
01/19/06-02/19/06
Stage Director(s): Ted Pappas
Set Designer(s): James Noone
Lighting Designer(s): Kirk Bookman
Facility & Venue: The O'Reilly Theater - O'Reilly Theater


Review capsule 1---- Now he's back playing Jack Worthing, 29, the wealthy young gentleman whose origins trace to a handbag left in a railway station cloakroom, in Oscar Wilde's ineffable 1895 comedy, "The Importance of Being Earnest." It seems unfair to burden this brilliantly frothy display of wit with the label "classic," but it earns it on the basis of period style, production polish and even social satire lying unsuspected amid the witty language -- not to mention that it is the play most often listed by critics as the best English-language comedy of all time.
http://www.post-gazette.com/pg/06022/640825-325.stm#ixzz1Q0eylXQP


Review Capsule 2 ---- Oscar Wilde's "The Importance of Being Earnest" is such a witty, clever and elegantly written comedy that the admiring theater critic itches to imitate its style.
But it's impractical to match wits and aphorisms with a man who once took a morning to contemplate the removal of a single comma from a poem and expended the afternoon reinserting it.
PPT's 'Being Earnest' a masterpiece - Pittsburgh Tribune-Review http://www.pittsburghlive.com/x/pittsburghtrib/s_417936.html#ixzz1Q0fEslZe


Production #2

Basic Facts
09/1209 – 11/08/09
Minneapolis, MN
Stage Director(s): Joe Dowling
Set Designer(s): Walt Spangler
Lighting Designer(s): Allen Lee Hughes
Facility & Venue: Guthrie Theater - Wurtele Thrust Stage


Review Capsule #1 --- If someone had told me that Oscar Wilde's play "The Importance of Being Earnest," which is currently showing at the Guthrie, involved seven people arguing with one another for two hours, I might not have been so keen to attend. But then I would've missed out on two hours of some of the most witty, well-written, stylish arguing I've ever seen.
Mary O’Regan
Community Lifestyle Magazine
10/13/09


Review Capsule #2-- However, it is still the sort of play where you better know what you are doing because it’s not that easy to pull off for today’s audiences. There is the language. Believe it or not, Americans have a hard time understanding British accents, especially delivered without amplification in the classic Guthrie tradition. If that’s you, get seats near the stage. You don’t want to miss a word of it.
Janet Preus
9/20/09
http://howwastheshowcom.ssl21.com/index.cfm/action/reviews.view/reviewKey/1207


Production #3

Basic Facts
New York NY
01/13/11 – 06/26/11
Stage Director(s): Brian Bedford
Set Designer(s): Desmond Heeley
Lighting Designer(s): Duane Schuler
Facility & Venue: Round About Theater Company- American Airlines Theatre


Review Capsule #1
So is the earlier scene between Ernest and Algernon, where Furr and Fontana establish their characters' committed insipidity. All four of the younger cast members, swanning about in Heeley's finery, capture Wilde's essence with the kind of efforts that look absolutely effortless. As might be expected, Ivey and Whitehead sail through the proceedings on the kind of technique they could bottle and sell at considerable prices. As Algernon's man, Lane, Paul O'Brien gets laughs by mere eye rolls, and as Cecily's attendant, Merriman, Tim McDonald acquits himself honorably.
David Finkle
Jan. 14 2011
http://www.theatermania.com/broadway/reviews/01-2011/the-importance-of-being-earnest_33129.html


Review Capsule #2
Earnest tells the story of two friends living the high life in fashionable late Victorian England. Jack Worthing lives on a country estate with his ward, Cecily Cardew; he pretends to have a naughty younger brother named Ernest in London, which makes it easy for him to slip away for visits to the city (in the guise of this fictitious fellow "Ernest") whenever he wants to. As Ernest, he has befriended Algernon Moncrieff, who, it turns out, has devised a similar scheme of his own: he has a fake friend named "Bunbury" who lives in the country, and Algy goes to visit his imaginary pal, who is a terrible invalid, whenever he wants to get out of town. Jack is in love with Gwendolen Fairfax, Algy's cousin, but their marriage plans face a formidable obstacle in the person of Gwendolen's mother, Lady Bracknell: when Jack reveals that he was in fact a foundling (left in a handbag in a cloak room at Victoria Station), the society-conscious Lady Bracknell refuses permission for the match. Complications ensue, and there's also a slight subplot involving Cecily's governess, Miss Prism, and the local minister, Dr. Chasuble. All works out well in the end, of course.
Martin Denton
January 19, 2011
http://www.nytheatre.com/showpage.aspx?s=impo11057


Production #4

Basic Facts
Taproot Theater Company
Taproot Theatre
Seattle, WA
September 26-October 27, 2007
Director: Karen Lund
Lighting :Jody Briggs
Costumes: Sarah Burch


Review Capsule #1
The play is bracingly modern in its understanding of the mercurial nature of identity, the power games that men and women play in the name of love, and the social poses that can be assumed and discarded for the sake of expediency.
http://seattletimes.nwsource.com/html/entertainment/2003923530_earnest04.html
Misha Berson
Seattle Times theater critic
10/04/07


Review Capsule #2
The production begins a bit harshly, with both Algernon and Jack a bit too strong, a bit too emphatic in their delivery, and a bit too forced in their mannerisms. That quickly moderated, however, and with the arrival of Lady Bracknell, played wonderfully by Pam Nolte, this tower of pomposity and propriety seemed to pull the two men down just a notch, just enough. In addition to Nolte, who had every sniffle of authority perfectly in place, who trumpeted every condescending proclamation as if it was an oracle from an ancient diety, who gave the slightest riffling of a handkerchief grandeur, we know exactly how important these trivial people are, how seriously their nonsense is to be taken. As Gwendolyn says, “In matters of great importance style, not sincerity, seems to be of the utmost importance.”
http://www.google.com/imgres?imgurl=http://www.seattleactor.com/news/imagehost/images/Ernest-Press.jpg&imgrefurl=http://www.seattleactor.com/news/modules.php%3Fname%3DSeattleReview%26rop%3Dshowcontent%26id%3D213&usg=__pG_B5yqUYafF_FDnmRZsQ4Hy2eU=&h=448&w=299&sz=54&hl=en&start=9&sig2=bGw3VdA2fPncPtU44imKGQ&zoom=1&um=1&itbs=1&tbnid=86_A0WhMRPQexM:&tbnh=127&tbnw=85&prev=/search%3Fq%3DImportance%2Bof%2Bbeing%2Bearnest%26um%3D1%26hl%3Den%26sa%3DN%26biw%3D1576%26bih%3D734%26tbm%3Disch&ei=FGQDToX_Bane0QHFydH8DQ
Jerry Kraft
10/04/07


Production #5


Basic Facts
The Repertory Actors Theatre
Seattle's Multi-ethnic Philanthropic Theatre Company
Seattle WA
November 9 - 25, 1995
Directed by: David Hsieh
Lighting Designer: Rick Wong
Costume Designer: Kathy Cory


Review Capsule #1
This comedy unveils the dual lives of two errant bachelors, each pretending to be a ficticious person named "Ernest." The deception is an innocent ruse, carried on in the interest of romance.
by Deni LunaNW Asian Weekly
November 25, 1995
http://www.reacttheatre.org/review/nwawearnest.html


Review Capsule #2
The writing varies in quality as well as tone. "Earnest" is by Oscar Wilde, the 19th-century master who contrasts decadent frivolity against Victorian propriety. Director David Hsieh has deftly condensed Wilde's four acts into two brisk episodes.
By JOE ADCOCKSEATTLE P-I THEATER CRITIC
November 20, 1995
http://www.reacttheatre.org/review/piearnest.html


Producing the play.

With every play there are problems that have to be worked out some plays having more than others. When it comes to The Importance of being Earnest there are little problems with the play itself to be worked out, one of the main challenges is making sure the audience can catch some of the references. When it comes to preforming this play there are really no staging problems to be worked out. The only real problems that would need to be made clear with in the story line the Earnest is things like what a dog-cart is or a perambulator. Due to the fact that people might not know what these things are. So for clarity of the play one might think about making physical reference to what these things are and other references that people too may not get today. This can be done in a variety of ways such as pointing to an object on the set of the production or acting out what this would mean with body language.

In order to produce the Importance of being Earnest here at Sam Houston State University we would have to take many things in to consideration. Such as the fact that it would be a mostly white cast if we are to keep it in period of which it is produce and the African American Actors would not have as much of a chance at getting a lead role within this play. The other thing that we would have to consider with in our production is the English accent that would be needed to convey the fact that it is taking place in London England. So all of the actors would be expected to know or at least be able to learn how to speak with an English dialect.

Other production companies such as the ones that I have found reviews for did not have too much trouble with these problems. They are easily solved and with classes in accents and such can be avoided. This is really a simple fun play that most companies can do with in there our casting pool without many problems. One could even take a modern day approach to such a play and add more ethic people into the show without keeping it traditional. This show can be open and solved within many settings from high school to college or professional levels.

This is a well love script by many people there is very little review that are on the negative side toward this play. It can be used to entertain people of all ages although the young audience might not get as many of the references and what they are actually implying. Although one could take their kids to see this show without having to worry about the language or adult context. This is really a good play to teach from for the high school and college level. It gives you many of the emotions that you would find in everyday life as well as the comedy to teach how to play to an audience.

Tuesday, June 21, 2011

Project #1

The Importance of being Earnest
Basic Facts
The Importance of being Earnest was written in the summer of 1894 by Oscar Wilde

First Primered in February 1895 at George Alexander’s, St. James’s theater

Original Language - English

Total of 3 Acts long that are not broken down into scenes

2 and a half hours including one intermission

9 Characters- 5 Men and 4 Women

Full length farce comedy with rights held by Samuel French


Characters

John (Jack/Ernest) Worthing, J.P. - The play’s protagonist. Jack Worthing is a seemingly responsible and respectable young man who leads a double life. In Hertfordshire, where he has a country estate, Jack is known as Jack. In London he is known as Ernest. As a baby, Jack was discovered in a handbag in the cloakroom of Victoria Station by an old man who adopted him and subsequently made Jack guardian to his granddaughter, Cecily Cardew. Jack is in love with his friend Algernon’s cousin, Gwendolen Fairfax. The initials after his name indicate that he is a Justice of the Peace.

Algernon Moncrieff
- The play’s secondary hero. Algernon is a charming, idle, decorative bachelor, nephew of Lady Bracknell, cousin of Gwendolen Fairfax, and best friend of Jack Worthing, whom he has known for years as Ernest. Algernon is brilliant, witty, selfish, amoral, and given to making delightful paradoxical and epigrammatic pronouncements. He has invented a fictional friend, “Bunbury,” an invalid whose frequent sudden relapses allow Algernon to wriggle out of unpleasant or dull social obligations.

Gwendolen Fairfax - Algernon’s cousin and Lady Bracknell’s daughter. Gwendolen is in love with Jack, whom she knows as Ernest. A model and arbiter of high fashion and society, Gwendolen speaks with unassailable authority on matters of taste and morality. She is sophisticated, intellectual, cosmopolitan, and utterly pretentious. Gwendolen is fixated on the name Ernest and says she will not marry a man without that name.

Cecily Cardew - Jack’s ward, the granddaughter of the old gentlemen who found and adopted Jack when Jack was a baby. Cecily is probably the most realistically drawn character in the play. Like Gwendolen, she is obsessed with the name Ernest, but she is even more intrigued by the idea of wickedness. This idea, rather than the virtuous-sounding name, has prompted her to fall in love with Jack’s brother Ernest in her imagination and to invent an elaborate romance and courtship between them.

Lady Bracknell - Algernon’s snobbish, mercenary, and domineering aunt and Gwendolen’s mother. Lady Bracknell married well, and her primary goal in life is to see her daughter do the same. She has a list of “eligible young men” and a prepared interview she gives to potential suitors. Like her nephew, Lady Bracknell is given to making hilarious pronouncements, but where Algernon means to be witty, the humor in Lady Bracknell’s speeches is unintentional. Through the figure of Lady Bracknell, Wilde manages to satirize the hypocrisy and stupidity of the British aristocracy. Lady Bracknell values ignorance, which she sees as “a delicate exotic fruit.” When she gives a dinner party, she prefers her husband to eat downstairs with the servants. She is cunning, narrow-minded, authoritarian, and possibly the most quotable character in the play.

Miss Prism - Cecily’s governess. Miss Prism is an endless source of pedantic bromides and clichés. She highly approves of Jack’s presumed respectability and harshly criticizes his “unfortunate” brother. Puritan though she is, Miss Prism’s severe pronouncements have a way of going so far over the top that they inspire laughter. Despite her rigidity, Miss Prism seems to have a softer side. She speaks of having once written a novel whose manuscript was “lost” or “abandoned.” Also, she entertains romantic feelings for Dr. Chasuble.

Rev. Canon Chasuble, D.D. - The rector on Jack’s estate. Both Jack and Algernon approach Dr. Chasuble to request that they be christened “Ernest.” Dr. Chasuble entertains secret romantic feelings for Miss Prism. The initials after his name stand for “Doctor of Divinity.”

Lane - Algernon’s manservant. When the play opens, Lane is the only person who knows about Algernon’s practice of “Bunburying.” Lane appears only in Act I.

Merriman - The butler at the Manor House, Jack’s estate in the country. Merriman appears only in Acts II and III.
http://www.sparknotes.com/lit/earnest/characters.html

Bio about Oscar Wilde

Oscar Wilde, celebrated playwright and literary provocateur, was born in Dublin on October 16, 1854. He was educated at Trinity College, Dublin and Magdalen College, Oxford before settling in London. During his days at Dublin and Oxford, he developed a set of attitudes and postures for which he would eventually become famous. Chief among these were his flamboyant style of dress, his contempt for conventional values, and his belief in aestheticism—a movement that embraced the principle of art for the sake of beauty and beauty alone. After a stunning performance in college, Wilde settled in London in 1878, where he moved in circles that included Lillie Langtry, the novelists Henry James and George Moore, and the young William Butler Yeats.

For more go to:

Plot Summery
The play begins in the flat of wealthy Algernon Moncrieff (Algy) in London's fashionable West End. Algernon's aunt (Lady Bracknell) and her daughter (Gwendolen Fairfax) are coming for a visit, but Mr. Jack Worthing (a friend of Algy's) arrives first. Algernon finds it curious that Jack has announced himself as "Ernest." When Jack explains that he plans to propose marriage to Gwendolen, Algy demands to know why Jack has a cigarette case with the inscription, "From little Cecily with her fondest love." Jack explains that his real name is Jack Worthing, squire, in the country, but he assumes the name "Ernest" when he ventures to the city for fun. Cecily is his ward. While devouring all the cucumber sandwiches, Algernon confesses that he, too, employs deception when it's convenient. He visits an imaginary invalid friend named Bunbury when he needs an excuse to leave the city.

Lady Bracknell and Gwendolen arrive. Algernon explains that he cannot attend Lady Bracknell's reception because he must visit his invalid friend, Bunbury, but he offers to arrange the music for her party. While Algernon distracts Lady Bracknell in another room, Jack proposes to Gwendolen. Unfortunately, she explains that she really wants to marry someone named Ernest because it sounds so solidly aristocratic. However, she accepts his proposal, and he makes a mental note to be rechristened Ernest. Lady Bracknell returns and refutes the engagement. She interrogates Jack and finds him lacking in social status. On her way out, Lady Bracknell tells Jack that he must find some acceptable parents. Gwendolen returns for Jack's address in the country. Algernon overhears and writes the address on his shirt cuff. He is curious about Cecily and decides to go "bunburying" in the country.In the second act, the scene shifts to Jack Worthing's country estate where Miss Prism, Cecily Cardew's governess, is teaching Cecily in the garden. Miss Prism sings Jack's praises as a sensible and responsible man, unlike his brother Ernest, who is wicked and has a weak character. She teaches Cecily that good people end happily, and bad people end unhappily, according to the romantic novel Miss Prism wrote when she was young. The local vicar, Canon Chasuble, arrives and, sensing an opportunity for romance, takes Miss Prism for a walk in the garden. While they are gone, Algy shows up pretending to be Jack's wicked brother Ernest. He is overcome by Cecily's beauty. Determined to learn more about Cecily while Jack is absent, Algernon plans to stay for the weekend, then make a fast getaway before Jack arrives on Monday. However, Jack returns early in mourning clothes claiming that his brother Ernest has died in Paris. He is shocked to find Algy there posing as Ernest. He orders a dogcart — a small horse-drawn carriage — to send Algy back to London, but it is too late. Algernon is in love with Cecily and plans to stay there. When Jack goes out, Algernon proposes to Cecily, who gets out a diary and letters that she has already written, explaining that she had already imagined their engagement. She has always wanted to marry someone named Ernest, so Algy, like Jack, needs to arrange a rechristening.

Just when it seems that Jack and Algernon couldn't get into worse trouble, Gwendolen arrives, pursuing Jack, and discovers that his ward, Cecily, is unpleasantly beautiful. In conversation, they discover that they are both engaged to Ernest Worthing. A battle follows, cleverly carried out during the British tea ceremony. The situation is tense. Jack and Algernon arrive, and, in attempting to straighten out the Ernest problem, they alienate both women. The two men follow, explaining that they are going to be rechristened Ernest, and the women relent and agree to stay engaged.

Lady Bracknell shows up demanding an explanation for the couples' plans. When she discovers the extent of Cecily's fortune, she gives her consent to her engagement to Algernon; however, Jack's parentage is still a stumbling block to her blessings. Jack tells Lady Bracknell that he will not agree to Cecily's engagement until she is of age (35) unless he can marry Gwendolen. Dr. Chasuble arrives and announces that all is ready for the christenings. Jack explains that the christenings will no longer be necessary. Noting that Jack's present concerns are secular, the minister states that he will return to the church where Miss Prism is waiting to see him. Shocked at hearing the name "Prism," Lady Bracknell immediately calls for Prism and reveals her as the governess who lost Lady Bracknell's nephew 28 years earlier on a walk with the baby carriage. She demands to know where the baby is. Miss Prism explains that in a moment of distraction she placed the baby in her handbag and left him in Victoria Station, confusing him with her three-volume novel, which was placed in the baby carriage. After Jack asks for details, he quickly runs to his room and retrieves the handbag. Miss Prism identifies it, and Lady Bracknell reveals that Jack is Algernon's older brother, son of Ernest John Moncrieff, who died years ago in India. Jack now truly is Ernest, and Algernon/Cecily, Jack/Gwendolen, and Chasuble/Prism fall into each others' arms as Jack realizes the importance of being earnest.http://www.cliffsnotes.com/study_guide/literature/The-Importance-of-Being-Earnest-Play-Summary.id-29,pageNum-1.html

Fable
The Importance of being Earnest is a farce comedy that many people know, a story of mistaken identity or trickery. In the beginning we meet our main characters that both have very unique personalities and both in one way or another very deceptive. The play starts off in the house of a man by the name of Algernon who is waiting for his guest to arrive for the night. The first to show up is a man by the name of Jack but is introduce as Earnest when we first meet him on stage. Only to find out that he goes by two different names depending on where he is, in the country or in town. Jack has created this Earnest character as a front to have a reason to go to town from time to time. However in this first act we find that Algernon has his cigarette case and will not give it back without and explanation as to why it says to my uncle jack. So he explains to him about Cecily who he takes care of in the country that believes he has a younger brother by the name of earnest and this is how he manages to make trips to town all the time. But this time he has a real reason behind coming to town and that is to ask for Gwendolen’s hand in marriage. Gwendolen is the daughter of Algernon’s aunt Augusta, a very upstanding woman who has bigger plans for her daughter then to marry a man with little to offer. However jack still plans on making things work even though he has been turned down by the mother of the women to whom he loves and she has told him that she would not love him if his name were not Earnest. By the end of act one we are all awaiting what will come next when we find out that Algernon is getting ready to leave town for a period of time but we are not quit sure what he is up to.

When the second act opens we finally meet this young girl named Cecily who is the ward of jack soon to find out that she has fallen in love with the imaginary brother earnest whom she has never met before. During this act we find that Algernon has come to the country to met this young girl and introduces him self as earnest the brother of jack. Shortly after arriving he asks for her hand in marriage only to find out that she has already done so for him in letters and fully intendeds to marry him just by the name of earnest and no other. This can not last long once jack returns home to find that Algernon is acting to be the brother that he is trying to kill off in this show in order to be able to simplify his life and make way for the young Gwendolen. When both of the girls end up meeting and find that they have both been fooled jack and Algernon seam to be finished. Although they are not giving up just yet, they both have to plans to go out and be christened under the name of earnest in hopes to save the love that they have.

In act three many things are answered when Lady Bracknell arrives to get her daughter Gwendolen only to find that jack is her long lost nephew who was christened at birth after his father with the name of earnest. When he was a baby he was lost and found by the man who raised him but never knowing who he belonged to he was always lost about whom he really was which one of the reasons is Lady Bracknell was not to allow him to marry her daughter.

Exegesis

1. salver-(pg.598 line 10) a tray especially for serving food or beverages

http://www.merriam-webster.com/dictionary/salver

2.shropshire-(pg.598 line 55) is a county in the West Midlands region of England

http://en.wikipedia.org/wiki/Shropshire

3.bunburyist-(pg. 599 line 187) (humorous) Avoiding one's duties and responsibilities by claiming to have appointment to see a fictitious person.

http://en.wiktionary.org/wiki/Bunburying

4.indecorous-(pg. 602 line 476) Lacking propriety or good taste. See Synonyms at improper

http://www.thefreedictionary.com/indecorous

5.Grosvenor square-(pg. 602 line 524) is a large garden square in the exclusive Mayfair district of London, England

http://en.wikipedia.org/wiki/Grosvenor_Square

6.Perambulator-(pg.616 line 368) chiefly British : a baby carriage

http://www.merriam-webster.com/dictionary/perambulator

7.Oxonian-(pg.615 line 240) a member or graduate of Oxford University.

http://dictionary.reference.com/browse/oxonian

8.Dog-cart-(pg.608 line 385) A dogcart is a light horse-drawn vehicle. There are several types:


A one-horse carriage, usually two-wheeled and high, with two transverse seats set back to back. It was known as a "bounder" in British slang (not to be confused with the cabriolet of the same name). In India it was called a "tumtum" (possibly an altered form of "tandem").


A dogcart having four wheels and seats set back to back was a dos-à-dos. "Dos-à-dos" means back-to-back in French.


Another four-wheeled dogcart was called a "game cart".[1]

http://en.wikipedia.org/wiki/Dogcart

9.Impetuous-(pg.610 line 581) of, pertaining to, or characterized by sudden or rash action, emotion, etc.; impulsive: an impetuous decision; an impetuous person.

http://dictionary.reference.com/browse/impetuous

10.Effrontery-(pg. 613 line 8) shameless or impudent boldness; barefaced audacity

http://dictionary.reference.com/browse/effrontery

Casting Statement

As the dramaturge for the show The Importance of being Earnest I would say that casting for this show would be simple in the fact that there is wiggle room for some of the characters. While most of the cast would be white upper class due to the time and the style of house that they reside in there is room to allow for blacks to be casted. I would also not see a problem with the casting of handicapped actors with in the roles of a few of the characters. As for the physical appearance of the actors for this show we do need to keep the main resemblance such as ethnicity and style. As for hair and other characteristics that would be used to tell those who are related can be simply fixed by wigs and make up. So there would be no real reason to make all of the actors that you cast to have the same hair color, nose, eyes, etc.

When it comes to the two main characters Algernon and Jack they should be more similar then not seeing as they are actually brothers by the end of the play. These would definitely be to very capable white men of a fairly high fashion, so you would need clean looking educated actors.

As for the rest of Algernon’s family they do not need to resemble them as much seeing as it is just his aunt and cousin so you would not expect to see same hair eyes or anything like that. They only real requirement for them would be that they be white actors cause it would be out of the ordinary for the time period to have mixed race or interracial families. Although there is a chance to cast a handicapped actor when it comes to the role of Lady Bracknell, she is an older woman that may no longer be in her prime. As for Gwendolen she should be a young attractive girl that almost has a childlike quality to her.

As for Jack’s country house we have the other half of this family. A young girl named Cecily who is only 18 should be cast as a young actress who is while and should appear flawless. However Cecily can be as unique as the director wants she does not need to fit into the family perfectly because she is technically not a member of the same family and there for would be different. While Miss Prism should be cast as an older lady much like Lady Bracknell while she is not related to the family she should also be a white woman. Due to the fact Jack almost mistakes her for his mother when he finds out that he was in her care whenever he was lost as a baby.

While there is not much room in this play for African American actors the roles of Merriman a butler and Lane a manservant could be cast as white or African American. All in all there is a place in this show for everyone unlike some shows where every role has a specific type of actor to fit it this show could be done in a variety of ways.